2011年考研英语(二)真题及答案 - 考研英语真题

revenues from readers and advertisers. American papers have long been highly unusual in their reliance on ads. Fully 87% of their revenues came from advertising in 2008, according to the Organization for Economic Cooperation & Development (OECD). In Japan the proportion is 35%. Not surprisingly, Japanese newspapers are much more stable.

The whirlwind that swept through newsrooms harmed everybody, but much of the damage has been concentrated in areas where newspaper are least distinctive. Car and film reviewers have gone. So have science and general business reporters. Foreign bureaus have been savagely cut off. Newspapers are less complete as a result. But completeness is no longer a virtue in the newspaper business.

26. By saying “Newspapers like … their own doom” (Lines 3-4, Para. 1), the author indicates that newspaper .

[A]neglected the sign of crisis

[B]failed to get state subsidies

[C]were not charitable corporations

[D]were in a desperate situation

27. Some newspapers refused delivery to distant suburbs probably because .

[A]readers threatened to pay less

[B]newspapers wanted to reduce costs

[C]journalists reported little about these areas

[D]subscribers complained about slimmer products

28. Compared with their American counterparts, Japanese newspapers are much more stable because they .

[A]have more sources of revenue

[B]have more balanced newsrooms

[C]are less dependent on advertising

[D]are less affected by readership

29. What can be inferred from the last paragraph about the current newspaper business?

[A]Distinctiveness is an essential feature of newspapers.

[B]Completeness is to blame for the failure of newspaper.

[C]Foreign bureaus play a crucial role in the newspaper business.

[D]Readers have lost their interest in car and film reviews.

30. The most appropriate title for this text would be .

[A]American Newspapers: Struggling for Survival

[B]American Newspapers: Gone with the Wind

[C]American Newspapers: A Thriving Business

[D]American Newspapers: A Hopeless Story

Text 3

We tend to think of the decades immediately following World War II as a time of prosperity and growth, with soldiers returning home by the millions, going off to college on the G. I. Bill and lining up at the marriage bureaus.

But when it came to their houses, it was a time of common sense and a belief that less could truly be more. During the Depression and the war, Americans had learned to live with less, and that restraint, in combination with the postwar confidence in the future, made small, efficient housing positively stylish.

Economic condition was only a stimulus for the trend toward efficient living. The phrase “less is more” was actually first popularized by a German, the architect Ludwig Mies van der Rohe, who like other people associated with the Bauhaus, a school of design, emigrated to the United States before World War II

and took up posts at American architecture schools. These designers came to exert enormous influence on the course of American architecture, but none more so that Mies.

Mies’s signature phrase means that less decoration, properly organized, has more impact that a lot. Elegance, he believed, did not derive from abundance. Like other modern architects, he employed metal, glass and laminated wood-materials that we take for granted today buy that in the 1940s symbolized the future. Mies’s sophisticated presentation masked the fact that the spaces he designed were small and efficient, rather than big and often empty.

The apartments in the elegant towers Mies built on Chicago

2011年考研英语(二)真题及答案(六)