’s Lake Shore Drive, for example, were smaller-two-bedroom units under 1,000 square feet-than those in their older neighbors along the city’s Gold Coast. But they were popular because of their airy glass walls, the views they afforded and the elegance of the buildings’ details and proportions, the architectural equivalent of the abstract art so popular at the time.

The trend toward “less” was not entirely foreign. In the 1930s Frank Lloyd Wright started building more modest and efficient houses-usually around 1,200 square feet-than the spreading two-story ones he had designed in the 1890s and the early 20th century.

The “Case Study Houses” commissioned from talented modern architects by California Arts & Architecture magazine between 1945 and 1962 were yet another homegrown influence on the “less is more” trend. Aesthetic effect came from the landscape, new materials and forthright detailing. In his Case Study House, Ralph everyday life – few American families acquired helicopters, though most eventually got clothes dryers – but his belief that self-sufficiency was both desirable and inevitable was widely shared.

31. The postwar American housing style largely reflected the Americans’ .

[A]prosperity and growth

[B]efficiency and practicality

[C]restraint and confidence

[D]pride and faithfulness

32. Which of the following can be inferred from Paragraph 3 about Bauhaus?

[A]It was founded by Ludwig Mies van der Rohe.

[B]Its designing concept was affected by World War II.

[C]Most American architects used to be associated with it.

[D]It had a great influence upon American architecture.

33. Mies held that elegance of architectural design .

[A]was related to large space

[B]was identified with emptiness

[C]was not reliant on abundant decoration

[D]was not associated with efficiency

34. What is true about the apartments Mies building Chicago’s Lake Shore Drive?

[A]They ignored details and proportions.

[B]They were built with materials popular at that time.

[C]They were more spacious than neighboring buildings.

[D]They shared some characteristics of abstract art.

35. What can we learn about the design of the “Case Study House”?

[A]Mechanical devices were widely used.

[B]Natural scenes were taken into consideration

[C]Details were sacrificed for the overall effect.

[D]Eco-friendly materials were employed.

Text 4

Will the European Union make it? The question would have sounded strange not long ago. Now even the project’s greatest cheerleaders talk of a continent facing a “Bermuda triangle” of debt, population decline and lower growth.

As well as those chronic problems, the EU face an acute crisis in its economic core, the 16 countries that use the single currency. Markets have lost faith that the euro zone’s economies, weaker or stronger, will one day converge thanks to the discipline of sharing a single currency, which denies uncompetitive members the quick fix of deva luation.

Yet the debate about how to save Europe’s single currency from disintegration is stuck. It is stuck because the euro zone’s dominant powers, France and Germany, agree on the need for greater harmonization within the euro zone, but disagree about what to harmonies.

Germany thinks the euro must be saved by stricter rules on borrow spending and competitiveness, barked by quasi-automatic sanctions for governments that do not obey. These might include threats to freeze EU funds for poorer regions and EU mega-projects and even the suspension of a country’s voting rights in EU ministerial councils. It insists that econom

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